Since I very recently moved house, I’ve been on a bit of a book buying ban to avoid having more to pack. These soon changed once I’d moved and decided to treat myself to a book haul, right in time to pick up some amazing books that have been selected for the Women’s Prize for Fiction Longlist.
The Women’s Prize for Fiction is an annual literary prize in the UK, and it awards female authors for the best original full-length novel within the last year. The longlist has been released in March, and the shortlist is to be announced in X with a winner being chosen on Y. The authors don’t need to be from the UK, but the book must be in English and published within the UK.
Tick-tock, tick-tock, tick-tock . . . midnight.
The old millennium turns into the new.
In the same hospital, two very different women give birth to two very similar daughters.
Hope leaves with a beautiful baby girl.
Anna leaves with empty arms.
Seventeen years later, the gods who keep watch over broken-hearted mothers wreak mighty revenge, and the truth starts rolling, terrible and deep, toward them all.
The power of mother-love will be tested to its limits.
Perhaps beyond . . .
Of course I know who Dawn French is but have never picked up a book from her before. I’m looking forward to exploring the mother-daughter relationships with the backdrop of grief and loss that the blurb promises.
In her youth, Tara was wild. She abandoned her loveless marriage to join an ashram, endured a brief stint as a beggar (mostly to spite her affluent parents), and spent years chasing after a dishevelled, homeless ‘artist’ – all with her young child in tow. Now she is forgetting things, mixing up her maid’s wages and leaving the gas on all night, and her grown-up daughter is faced with the task of caring for a woman who never cared for her.
Burnt Sugar explores the mother and daughter relationship from the perspective of a daughter who feels betrayed. Im super intrigued to find out more about the mother, why she towed her kids around when making bad decisions, and how the daughter handles having to care for her.
Saskia and Jenny are twins alike in appearance only: Saskia is a grad student with a single-minded focus on her studies, while Jenny is glamorous, thrill-seeking, and capricious. Still, when Jenny is severely injured in an accident, Saskia puts her life on hold to be with her sister. Sara and Mattie are sisters with another difficult dynamic. Mattie, who is younger, is intellectually disabled. Sara loves nothing more than fine wines, perfumes, and expensive clothing, and leaves home at the first opportunity. But when their mother dies, Sara inherits the duty of caring for her sister. She moves Mattie in with her–but it’s not long until tragedy strikes. Now, both Sara and Saskia, having been caregivers for so long, find themselves on their own. Yet through a cascade of circumstances as devastating as they are unexpected, these two women will come together.
Consent promises the exploration of the complexities of familial duty, and of how love can become entangled with guilt, resentment, and regret.
Reese almost had it all: a loving relationship with Amy, an apartment in New York City, a job she didn’t hate. She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men.
Ames isn’t happy either. He thought detransitioning to live as a man would make life easier, but that decision cost him his relationship with Reese—and losing her meant losing his only family. Even though their romance is over, he longs to find a way back to her. When Ames’s boss and lover, Katrina, reveals that she’s pregnant with his baby—and that she’s not sure whether she wants to keep it—Ames wonders if this is the chance he’s been waiting for. Could the three of them form some kind of unconventional family—and raise the baby together?
Detransition, Baby explores gender, motherhood and sex and I’ve already seen it around a lot. It discusses the intricacies of detransitioning and I hope it handles the subject matter well. Written by an own voices author, I’m excited to read about Reese, Ames and Katrina.
Ava, newly arrived in Hong Kong from Dublin, spends her days teaching English to rich children.
Julian is a banker. A banker who likes to spend money on Ava, to have sex and discuss fluctuating currencies with her. But when she asks whether he loves her, he cannot say more than ‘I like you a great deal’.
Enter Edith, a lawyer. Refreshingly enthusiastic and unapologetically earnest, Edith takes Ava to the theatre when Julian leaves Hong Kong for work. Quickly, she becomes something Ava looks forward to.
And then Julian writes to tell Ava he is coming back to Hong Kong… Should Ava return to the easy compatibility of her life with Julian or take a leap into the unknown with Edith?
Not a coming-of-age novel but one that explores the complex relationshipsof finally finding what you need in life and going for what you want from life. Exciting Times promises an exciting time in Ava’s live.
In Baxter’s Beach, Barbados, Lala’s grandmother Wilma tells the story of the one-armed sister, a cautionary tale about what happens to girls who disobey their mothers.
For Wilma, it’s the story of a wilful adventurer, who ignores the warnings of those around her, and suffers as a result.
When Lala grows up, she sees it offers hope – of life after losing a baby in the most terrible of circumstances and marrying the wrong man.
And Mira Whalen? It’s about keeping alive, trying to make sense of the fact that her husband has been murdered, and she didn’t get the chance to tell him that she loved him after all.
Jones is taking us to explore poverty, violence and the story of the sacrifices some women make to survive in this powerful novel. Wilma, Lala and Mira have all struggled and I’m intrigued to find out what happens to them.
Edie is just trying to survive. She’s messing up in her dead-end admin job in her all white office, is sleeping with all the wrong men, and has failed at the only thing that meant anything to her, painting. No one seems to care that she doesn’t really know what she’s doing with her life beyond looking for her next hook-up. And then she meets Eric, a white, middle-aged archivist with a suburban family, including a wife who has sort-of-agreed to an open marriage and an adopted black daughter who doesn’t have a single person in her life who can show her how to do her hair. As if navigating the constantly shifting landscape of sexual and racial politics as a young, black woman wasn’t already hard enough, with nowhere else left to go, Edie finds herself falling headfirst into Eric’s home and family.
I’m expecting tension in Luster as we follow Edie into new relationships, and a possible family.
As this urgent, genre-defying book opens, a woman who has recently been elevated to prominence for her social media posts travels around the world to meet her adoring fans. She is overwhelmed by navigating the new language and etiquette of what she terms “the portal,” where she grapples with an unshakable conviction that a vast chorus of voices is now dictating her thoughts. When existential threats–from climate change and economic precariousness to the rise of an unnamed dictator and an epidemic of loneliness–begin to loom, she posts her way deeper into the portal’s void. An avalanche of images, details, and references accumulate to form a landscape that is post-sense, post-irony, post-everything. “Are we in hell?” the people of the portal ask themselves. “Are we all just going to keep doing this until we die?”
Suddenly, two texts from her mother pierce the fray: “Something has gone wrong,” and “How soon can you get here?” As real life and its stakes collide with the increasingly absurd antics of the portal, the woman confronts a world that seems to contain both an abundance of proof that there is goodness, empathy, and justice in the universe, and a deluge of evidence to the contrary.
No One is Talking About This is a small book focused on the life of what I think is a social media star. The blurb doesn’t give a lot away so I’m really interested to find out what her mother textes her about, and what sets off this novel.
Is there such a thing as a perfect marriage?
David thought so. But when his wife Mary Rose dies suddenly he has to think again. In reliving their twenty years together David sees that the ground beneath them had shifted and he simply hadn’t noticed. Or had chosen not to.
Figuring out who Mary Rose really was and the secrets that she kept—some of these hidden in plain sight—makes David wonder if he really knew her. Did he even know himself?
Nothing But Blue Sky is something I wouldn’t usually pick up, but there’s a lot that I’m looking forward to! It follows the grief of a husband as he uncovers more about his dead wife, and how it maybe wasn’t a happy marriage.
Piranesi’s house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house.
There is one other person in the house—a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.
Piranesi has been blurbed by Madeline Miller and so I’m intrigued. I at first thought it may be a greek retelling, but I can’t find anything to confirm that – however the mystery premise with fantasy elements are right up my street.
1957, south-east suburbs of London.
Jean Swinney is a feature writer on a local paper, disappointed in love and — on the brink of forty — living a limited existence with her truculent mother: a small life from which there is no likelihood of escape.When a young Swiss woman, Gretchen Tilbury, contacts the paper to claim that her daughter is the result of a virgin birth, it is down to Jean to discover whether she is a miracle or a fraud. But the more Jean investigates, the more her life becomes strangely (and not unpleasantly) intertwined with that of the Tilburys: Gretchen is now a friend, and her quirky and charming daughter Margaret a sort of surrogate child. And Jean doesn’t mean to fall in love with Gretchen’s husband, Howard, but Howard surprises her with his dry wit, his intelligence and his kindness — and when she does fall, she falls hard.
But he is married, and to her friend — who is also the subject of the story she is researching for the newspaper, a story that increasingly seems to be causing dark ripples across all their lives. And yet Jean cannot bring herself to discard the chance of finally having a taste of happiness…
But there will be a price to pay, and it will be unbearable.
Miracle births are always something intriguing because you never know where the author is heading to explain it. I’ve read similar before, and I’m hoping Small Pleasures doesn’t leave it too open for interpretation.
In the present, Sacha knows the world’s in trouble. Her brother Robert just is trouble. Their mother and father are having trouble. Meanwhile the world’s in meltdown – and the real meltdown hasn’t even started yet.
In the past, a lovely summer. A different brother and sister know they’re living on borrowed time.This is a story about people on the brink of change.
They’re family, but they think they’re strangers.
So: where does family begin? And what do people who think they’ve got nothing in common have in common?Summer.
Summer is yet another book on the longlist that explores family relationships and how life affects them. I’m intrigued with Ali Smith’s work as I know she’s written similar books for the other seasons too.
When Hannah is invited into the First-Class carriage of the London to Penzance train by Jinni, she walks into a spider’s web. Now a poor young single mother, Hannah once escaped Cornwall to go to university. But once she married Jake and had his child, her dreams were crushed into bitter disillusion. Her husband has left her for Eve, rich and childless, and Hannah has been surviving by becoming a cleaner in London. Jinni is equally angry and bitter, and in the course of their journey the two women agree to murder each other’s husbands. After all, they are strangers on a train — who could possibly connect them?
But when Hannah goes to Jinni’s husband’s home the next night, she finds Stan, a huge, hairy, ugly drunk who has his own problems — not least the care of a half-ruined house and garden. He claims Jinni is a very different person to the one who has persuaded Hannah to commit a terrible crime. Who is telling the truth — and who is the real victim?
I’ve seen stories of people who’ve made a pact to kill each others partners before, but The Golden Rule is seeming to subvert this with changing perceptions. I want to learn more about Jinni and why she’s not quite the person Hannah meets on the train, and I’m expecting red herrings and the bad guy being switched a few times too.
The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it’s not just the shape of their daily lives that is different as adults, it’s everything: their families, their communities, their racial identities. Many years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters’ storylines intersect?
Weaving together multiple strands and generations of this family, from the Deep South to California, from the 1950s to the 1990s, Brit Bennett produces a story that is at once a riveting, emotional family story and a brilliant exploration of the American history of passing. Looking well beyond issues of race, The Vanishing Half considers the lasting influence of the past as it shapes a person’s decisions, desires, and expectations, and explores some of the multiple reasons and realms in which people sometimes feel pulled to live as something other than their origins.
The Vanishing Half is about race, gender and relationships and interests me for a few different reasons. Firstly, is understanding how one of the Vignes twins could put behind her community and culture to be white – I of course understand why our world, but it must have been difficult. Another is how the twins will reconnect, and how their daughters will react to one another and the situation.
As a child Gifty would ask her parents to tell the story of their journey from Ghana to Alabama, seeking escape in myths of heroism and romance. When her father and brother succumb to the hard reality of immigrant life in the American South, their family of four becomes two – and the life Gifty dreamed of slips away.
Years later, desperate to understand the opioid addiction that destroyed her brother’s life, she turns to science for answers. But when her mother comes to stay, Gifty soon learns that the roots of their tangled traumas reach farther than she ever thought. Tracing her family’s story through continents and generations will take her deep into the dark heart of modern America.
Transcendent Kingdom is a book about shared trauma for shared experiences, and those that are different too. Both Gifty and her mother are struggling, and I’m ready to jump in and learn about them and how they handle what life has dealt them.
What if the life you have always known is taken from you in an instant? What would you do to get it back?
Twins Jeanie and Julius have always been different from other people. At 51 years old, they still live with their mother, Dot, in rural isolation and poverty. Their rented cottage is simultaneously their armour against the world and their sanctuary. Inside its walls they make music, in its garden they grow (and sometimes kill) everything they need for sustenance.
But when Dot dies suddenly, threats to their livelihood start raining down. At risk of losing everything, Jeanie and her brother must fight to survive in an increasingly dangerous world as their mother’s secrets unfold, putting everything they thought they knew about their lives at stake.
Unsettled Ground is another book on this list which has twins and family relationships. It also talks about poverty, and the emotional toll it can take, which is really pulling me in.
So which book would you love to pick up from the Women’s Prize for Fiction longlist? Or which of these should make it to the shortlist?
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